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Watching Ushio Shinohara and his wife Noriko make their art, weâre reminded of how much life is inside even the most abstract of pieces. Ushio, who came to New York from Japan in 1969, stands stern-faced as he covers canvases with splotches formed by the paint-dipped boxing gloves he wears. Heâs making creations that are as scrappy as he is. Noriko, for her part, has the opposite sensibility. Her petite R. Crumb-like works are filled with heart â âcutieâ drawings of her interior life and her life with Ushio.
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